I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

 

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

 

 

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

 

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….

 

I work on the theme of natural or manmade landscapes, in a contemporary point of view. My last works develop itself into two techniques which feed mutually : charcoal and graphite on paper drawings in large format, and besides engravings : etchings and aquatints made on copper or zinc plates. I am situated in realistic forms, by the importance granted to the reference to the subjects. The techniques I use are simple; the quality of tools: – charcoal,  pencil, ink – place my work in the order of the minimal and the sensitive. I attach importance to the experience, to the know-how, in the time of working an art piece, to realise the work, as in the experiment of the writing and the gesture. In brief, I am interested in the representation as soon as it takes a stand compared with its traditional codes, centring / demolition, prospect / abstraction, depth / surface, composition / decomposition, track / absence, gesture / pondering, intention / fate….